No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. The Advertising Handbook 3rd edition Helen Powell, Jonathan Hardy, Sarah Hawkin and Iain MacRury The Alternative Media Handbook Kate Coyer, Tony Dowmunt and Alan Fountain The Cyberspace Handbook Jason Whittaker The Documentary Handbook Peter Lee-Wright The Fashion Handbook Tim Jackson and David Shaw The Graphic Communication Handbook Simon Downs The Magazines Handbook 2nd edition Jenny McKay The Music Industry Handbook Paul Rutter The New Media Handbook Andrew Dewdney and Peter Ride The Newspapers Handbook 4th edition Richard Keeble The Photography Handbook 2nd edition Terence Wright The Public Relations Handbook 4th edition Alison Theaker The Radio Handbook 3rd edition Carole Fleming The Sound Handbook Tim Crook The Television Handbook 4th edition Jeremy Orlebarįirst published 2012 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2012 Tim Crook The right of Tim Crook to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. Each handbook combines a clear introduction to understanding how the media works with practical information about the structure, processes and skills involved in working in today’s media industries, providing not only a guide on ‘how to do it’ but also a critical reflection on contemporary media practice. The Media Practice handbooks are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional. Media Practice Edited by James Curran, Goldsmiths College, University of London He is the author of Comparative Media Law and Ethics (2009), Radio Drama: Theory and Practice (1999) and International Radio Journalism: History, Theory and Practice (1997). He has worked professionally in radio, theatre, television and film as a journalist, producer, director and sound designer for more than 30 years. Tim Crook is Senior Lecturer and Head of Radio at Goldsmiths, University of London.
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The Sound Handbook is supported by a companion website, textbooks/crook, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. Using an interdisciplinary approach, Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. Professor Seán Street Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multimedia spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time. For students and their teachers alike, there has never been a more significant moment to grasp the opportunities afforded by these exciting changes and, crucially, to apply the theories underpinning the practice across the various fields. The challenge is to retain, through the dazzling technical opportunities, a sense of understanding for the role sound plays in the content itself. Be it radio, film, theatre, games, the internet – or, indeed, increasingly the world of the gallery and museum – the common denominator will always be sound. The emerging practitioners of today and tomorrow face a multimedia environment in which their skills and understanding must be equal to the test of emerging platforms, technologies and genres. The Sound Handbook Today we inhabit a media world of sound that is truly interdisciplinary, in which the old boundaries no longer apply. 4 Sound practice and theory in stage theatreħ Sound practice and theory in animation and gamesĨ Sound practice and theory in art exhibition and installationĩ Sound practice and theory in Internet broadcasting and podcasting
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